Strings

Several things, mostly musical.

I've struggled with it for a very long time, but it seems inevitable - I am going to like the Katie Melua atrocity, even with its twee, miscast vocals and crazy transitions. I hear everything that's wrong with it, but at the same time I can't help but see what it could have been, given a better delivery and perhaps a stronger oriental motif. Sidenote #1: the uptempo part reminds me of this thing, which is surprising in that I had managed to completely erase it from memory. Or so I thought. Sidenote #2: amping the poor girl's vocals up to an operatic echo is just setting her up for failure during live performances. She simply does not have the pipes.

Next up: I found a new erogenous zone - classical renditions of pop tunes. Which is what a bunch of kids from the Sydney Conservatorium of Music are doing (though I'm sure they're not the first). Now, if you're a kid from Australia looking for a song that lends itself to a classical interpretation, chances are you're going to end up doing this. And good for you. This, however, seems much less obvious, and therefore all the more... well, fun. Sidenote #1: apparently it's very difficult to look badass while playing the kettle drums (if that's what they're called). Sidenote #2: the lady straddling the cello seems to have no such problem.

Finally, last Friday ao treated us to a musical flashback which included this:

Someone at io9 wrote that this song sounds like losing your virginity at the Rennaissance Faire - and by God, yes it does! But I also used to firmly believe that "To me you're like a growing addiction that I can't deny" is the most perfectly delivered lyric ever. Though I have to admit part of its charm laid in the fact I had no idea that's what it said. And omg Nicole Kidman was in Batman Whatever? Who knew?