I actually like to pretend that it's a screencap from some Joss Whedon show starring Jonathan Groff as a series regular, but you know, different strokes for different folks... And now let's move on to Showtime, because honestly, I'm kind of amazed. Here's why:
At first I found the second season of Nurse Jackie to be a bit lackluster. It wasn't as sharp and funny as before, and things got kind of heavy the more they got into the whole daughter's anxiety plotline, but I stuck with it and it turns out all that seems to have been a conscious choice on the writers' part, and the conclusion was spectacular. I think it might actually be a textbook example of how to build on a solid premise and weave all elements of the series into a dramatic and fully cohesive whole (as opposed to just making shit up as you go along and coming up with new problems for the characters to face). The one thing I'm worried about is that after the 2nd season closer - the last minute of which was a fucking masterpiece - it now feels almost too cohesive and self-contained, as if the full tale has been told. You can now kind of summarise it in the vein of Neil Gaiman's Sandman synopsis: Nurse Jackie is the tale of a woman who is faced with the consequences of her recklessness and must choose whether to stay true to herself. So where do you go from here?
As for United States of Tara, I wasn't entirely sold after the first season, but I started watching the second one because... well... I had nothing else to watch, really, and it really drew me in. They fleshed out the characters, especially the daughter, and somehow, somewhere halfway through, the whole multiple personality angle stopped seeming like a gimmick and became a natural element of the, up to a point where I actually started thinking I get why a transition occured at any given moment and, while not exactly able to predict which alter would make an appearance, I could still sort of understand and appreciate it in retrospect.
Plus, in the last episode there's this one line that's probably the closest approximation of my particular experience I've ever encountered in... well... culture. Which would be a tad more comforting, were it not uttered by a 14-year-old.
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