The scene I mentioned before actually seems exemplary of that - it's well crafted, there's real substance there, but the "message" somehow gets underdelivered at the last moment, that final hammer stroke just glancing the nail. And I'm not sure if that wasn't intentional.
The thing is: when I sat down to pick out a screencap to go with this post, and flicked through the whole thing all over again, I found myself pausing and going "oh, this bit was actually good..." at almost every scene. Which leads me to believe that if I had let it set and wrote this note in a week's, or a month's time, possibly after a second viewing, I might have gushed. Then again, I might have not.
Tonight, most people will be welcomed home by jumping dogs and screaming kids. Their spouses will ask about their day, and tonight they'll sleep. The stars will wheel forth from their daytime hiding places. And one of those lights, slightly brighter than the rest, will be my wingtip, passing over.
1 comment:
I liked the Jim Hoberman review in "The Village Voice", where he describes the screenplay as "a veritable mini-bar of one-liners":
http://www.villagevoice.com/2009-12-01/film/up-in-the-air-sux-but-jason-reitman-says-u-will-b-ok-l8r/
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